The Line (2023), directed by Ethan Berger, is a campus thriller that delves into the dark underbelly of fraternity culture, exploring themes of toxic masculinity, class struggle, and the perils of blind tradition. The film stars Alex Wolff as Tom, a working-class scholarship student drawn into the elite KNA fraternity, and Halle Bailey as Annabelle, a classmate who challenges his worldview.

Tom, eager to transcend his socioeconomic background, is captivated by the allure of the prestigious KNA fraternity, which promises social status and influential connections. As he becomes more entrenched in the fraternity’s rituals, including disturbing hazing practices, Tom’s relationship with Annabelle prompts him to question the values he’s adopted. The narrative builds tension as Tom grapples with his identity and the consequences of his choices.

Alex Wolff delivers a nuanced performance, capturing Tom’s internal conflict and descent into moral ambiguity. Critics have noted his ability to portray the character’s transformation with depth and authenticity. Halle Bailey’s portrayal of Annabelle provides a compelling counterbalance, embodying empathy and moral clarity that challenges Tom’s trajectory.

Ethan Berger’s directorial debut is marked by a gritty and immersive style, employing grainy cinematography and low-angle shots to convey the oppressive atmosphere of fraternity life. The film’s visual language reinforces its themes, creating a sense of unease that mirrors Tom’s psychological turmoil.

The Line offers a compelling examination of the destructive aspects of fraternity culture, bolstered by strong performances and a haunting directorial vision. While some narrative elements may feel familiar, the film’s unflinching portrayal of moral compromise and identity crisis resonates, making it a noteworthy addition to the genre of campus thrillers.